![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2025\/09\/1-A-RAIZ-DE_Daniel-Rodriguez-Cia-2_Foto-Pablo-Vargas-scaled.jpg\")
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A RA\u00cdZ DE (15\u2019) <\/strong><\/p>\n O Porri\u00f1o, Pontevedra (Galicia), Spain \u00abThe body, that instrument capable of bringing to life today the stories of yesterday, and of allowing tradition and contemporaneity to engage in dialogue within a single being where past and present coexist, to build a discourse for the future.\u00bb Ra\u00edz is born from Galician tradition\u2014through song, music, and traditional dance\u2014and the search for its dialogue with contemporary dance. This piece achieves a symbiosis between these two languages and their contexts, bringing the past closer to the present, and tradition closer to today\u2019s audiences, fostering a deeper connection between them and both contemporary dance and dance from the root\u201d.<\/p>\n TODO ESE RUIDO (23\u2019)\u00a0<\/strong><\/p>\n Pamplona (Navarre), Spain \u00abPerhaps all lives are interwoven because nature is an incomprehensible, chaotic, and absolute code whose only mutability lies in error. And perhaps we inhabit a mathematical ecosystem, and this body is a kind of avatar, and our genome an algorithm. And my atoms and yours, like pixels in an image, are not truly ours, and one day they will separate to give rise to other images, to other stories. And you and I, who have come from so far away, who have crossed the cosmos only to end up right here, will dissolve, little by little, into the eternity of which we are already a part. Todo Ese Ruido is a dance piece for two bodies and a drone, born from a fascination with the imagery of sci-fi, the powerful fragmentary and photographic storytelling of comics, the world of CGI and special effects, but also with myths about the creation of the world, Genesis, and the oldest philosophical intuitions \u2014 that elusive something humanity has always wondered about. It is inspired, in general, by the images from our history that speak of origin, of how we got here, and of what is to come. It is a danced poem that sketches a possible future, a hymn to the light that travels through time to give us form\u00bb.<\/p>\n RHYTHM (22′) <\/strong><\/p>\n Vilches, Jaen (Andalusia), Spain \u00abRhythm is a choreographic work that transcends mere physical representation to evoke a profound exploration of the relationship between space, movement, pattern, and synchronization between the two performers on stage. Through a visual and kinetic narrative, the choreography seeks to capture the essence of human existence, where rhythms and dynamics intertwine as a living metaphor for life itself. The piece unfolds like a tapestry of movement and stillness, where acceleration and deceleration alternate in a constant dialogue between the performers. Harmony and discord intersect, creating a dynamic balance that reflects the complexity of human relationships. Synchronization and desynchronization become a bodily language that expresses both connection and disconnection between the two performers, while space becomes a living element that envelops and separates them. The choreography aims to create a universe where rhythm and dynamics become a form of communication that transcends words. Through this work, the audience is invited to reflect on the nature of rhythm and its influence on our lives and relationships, and to experience the beauty and complexity of human existence through movement and dance\u00bb.<\/p>\n SEU AQU\u00cd (17\u2019) <\/strong><\/p>\n Madrid, Spain \u00abSeu Aqu\u00ed invites you to sit and observe as four moving bodies reflect a society in constant growth and transformation. Through the poetics of movement, these performers explore themes such as encounter, discipline, manipulation, and the vital struggle for space, revealing the challenge of finding cooperation in coexistence in order to build a possible community. With humor and a touch of absurdity, these bodies address deep and current issues of our generation, creating a visual dialogue between the individual and the collective, the everyday and the extraordinary\u00bb.<\/p>\n \n\n\n
\nCreated & Performed by:<\/strong> Daniel Rodr\u00edguez
\nMusic:<\/strong> Aida Tarr\u00edo \u201cDespedidas\u201d, Crnds \u201cAlal\u00e1 de Seitura\u201d, Baiuca \u201cDia\u00f1o\u201d<\/p>\n
\n![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2025\/09\/2-TODO-ESE-RUIDO_-Qabalum-Barbara-Fernandez-3-scaled.jpg\")
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\nCreated by:<\/strong> Diego Paz\u00f3 & Luc\u00eda Burguete [QABALUM]
\nPerformed by:<\/strong> Diego Paz\u00f3, Luc\u00eda Burguete & Joan Cano
\nMusic:<\/strong> Alessandro Cortini \u201cSpettro IV\u201d
\nWith the support of:<\/strong> Centro de Danza de Zaragoza, Festival Pies Para Qu\u00e9 Los Quiero, Festival Cuerpo Romo, Sortutakoak \u2013 Dantzagunea, DNA 2024 \u2013 Gobierno de Navarra, Dantzalabea \u2013 Teatro Barakaldo, Universidad San Jorge, Harrobi Gaztelekua & CRJ Baragazte<\/p>\n
\n![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2025\/09\/3GG9A0838-elegida-scaled.jpg\")
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\nCreated by:<\/strong> Mario Berm\u00fadez Gil [MARCAT DANCE]
\nPerformed by:<\/strong> Alessia Sinato & Marilisa Gallicchio
\nMusic:<\/strong> Skew Mask \u201cVli\u201d, Michael Wall \u201cTwo Adrift\u201d, Christophe Zurfluh \u201cCircular Translation\u201d
\nWith the support of:<\/strong> Junta de Andaluc\u00eda, INAEM<\/p>\n
\n![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2025\/09\/4-Colectivo-Banquet-3._Gorka-Bravo_@gorkabravophotographyJPG-scaled.jpg\")
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\nCreated & Performed by:<\/strong> Laura Garc\u00eda, Ana F. Melero, Daniel Rodr\u00edguez & Javier De La Asunci\u00f3n [COLECTIVO BANQUET]
\nMusic:<\/strong> Xique-Xique \u00abR\u00edo negro\u00bb, Mauricio P\u00e9rez \u00abSeu Aqui\u00bb,
\nWith the support of:<\/strong> Centro Coreogr\u00e1fico Maria Pag\u00e9s, La Nave del Duende & Centro Cultural Eduardo \u00darculo.<\/p>\n
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