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MASDANZA SPAIN PROGRAMME 2025<\/strong><\/h3>\n
\nTEATRO CUY\u00c1S \/ CUY\u00c1S THEATRE – 19,30 h<\/strong><\/p>\nDIVA (20\u2019)<\/strong><\/p>\nBarcelona, Spain – Milan, Italy<\/p>\n
Created by:<\/strong> Giovanni Insaudo<\/p>\nPerformed by:<\/strong> Sandra Salietti Aguilera\u00a0 & Gianmarco Martini Zani<\/p>\nMusic:<\/strong> Nick Cave & Warren Ellis \u201cNembutal\u201d, \u201cFire in the Hills\u201d, \u201cShard\u201d, Anne Nikitin \u201cI Wanna Be Loved By You\u201d<\/p>\n\u201dDiva<\/em> is the latest work by Giovanni Insaudo, exploring the timeless figure of the Diva<\/em> and her idealization in popular culture. The piece is primarily inspired by the ultimate diva, Marilyn Monroe, offering a glimpse into the private and often solitary lives of these icons of 1950s fame. The performance seeks to unveil the introverted reality behind the glamour, media attention, and public idealization, highlighting the contrast between what the audience sees and what these divas truly experience. It sheds light on the often negative influence of powerful male figures in their lives. In the 1950s, divas were frequently subject to the control and influence of powerful men who could shape their careers and personal destinies. These men\u2014producers, directors, managers, husbands, or lovers\u2014played a significant role in deciding the divas’ paths. Often, divas were forced to conform to male expectations, limiting their autonomy and stifling their creative potential\u201d.<\/p>\n
\nEL CIELO SIGUE INTACTO (20\u2019) <\/strong><\/p>\nBarcelona, Spain<\/p>\n
Created & Performed by:<\/strong> Carla Cervantes Caro & Sandra Egido Ib\u00e1\u00f1ez [COMPA\u00d1\u00cdA LO SIENTO MUCHO]<\/p>\nOriginal Music:<\/strong> Nico Casal Ares \u201cEl Cielo Sigue Intacto\u201d<\/p>\nCostumes Design:<\/strong> \u00c1mbar & Carla Cervantes CaroM\u00f2nica Figueres Dom\u00e8nech<\/p>\n\u00abHow many things happen while other things are happening?
\nWhile everything unfolds around us, the sky<\/em><\/strong>\u2014remains untouched.<\/em><\/p>\nThis concept does not invite criticism, but rather the acceptance of the immutable, a truth that surrounds us, yet we rarely pause to observe.<\/p>\n
The piece emerges from a foundation where two bodies build and compose a landscape that breathes and offers itself to the viewer. The act of building with the body symbolizes the endless search to construct something beyond ourselves. The interlocking of bodies reflects a constant desire\u2014an almost instinctive need\u2014to draw closer to the other.<\/p>\n
And while everything unfolds around us, the sky<\/em><\/strong>\u2014remains untouched.<\/em><\/p>\nA bodily architecture shaped by a process of constant negotiation, where each body adapts to the other and adjusts until finding a shared place. Building from the fragility of bonds and their strength. Seeking the balance between structure and shared vulnerability\u00bb.<\/p>\n
\n![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2024\/06\/3-EL-ELOGIO-DE-LA-FISURA-2.jpeg\")
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EL ELOGIO DE LA FISURA (15\u2019) <\/strong><\/p>\nBarcelona, Spain<\/p>\n
Created & Performed by:<\/strong> Lorena Nogal<\/p>\nMusic:<\/strong> David Lang \u201cJust (After Song of Songs), Lullabies of Europe \u201cNani, Nani, Mummies Baby (Romanian)\u201d, Mica Levi \u201cDeath\u201d, Benjamin Clementine \u201cQuintessence\u201d<\/p>\n\u201cThis piece is a manifesto about what is built from darkness and doubt. suggestions seen through a rift. A choreography that rests in the transition, a place to find the beauty that emerges from the acceptanc of the imperfection, the asymmetry, the unequal. a weak, vulnerable and unstructured body that is the reflection of a vibrating state\u201d.<\/strong><\/p>\nNational Dance Award in the Performance Modality, 2024. Ministry of Culture<\/p>\n
\n![\"\"](\"https:\/\/www.masdanza.com\/english\/wp-content\/uploads\/2024\/06\/4-DALET-DA-Marcosgpunto-CiaDanielAbreu-Dalet-Da-2-scaled.jpeg\")
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DALET (DA) (20\u2019) <\/strong><\/p>\nMadrid, Spain<\/p>\n
Created by:<\/strong> Daniel Abreu<\/p>\nPerformed by:<\/strong> Abi\u00e1n Hern\u00e1ndez, Alberto Almaz\u00e1n, David Vilarinyo, Daniel Rodr\u00edguez, Theo Vanpopheringe & Daniel Abreu<\/p>\nMusic by:<\/strong> Michael Wall \u201cRitual, Referencies and Confessions\u201d<\/p>\nWith the support of:<\/strong> Ayuntamiento de Madrid, Comunidad de Madrid, Centro Coreogr\u00e1fico Mar\u00eda Pag\u00e9s, Centro Coreogr\u00e1fico Canal & Provisional Danza<\/p>\n\u201cDalet<\/em> is a letter in the Hebrew alphabet making reference to a door. A door without a threshold for easier access. A way from the void to a form without dimensions. It talks of a journey through the desert, with mandatory steps taken countless times in the path of evolution. This symbol, and its ensuing energy, which permits us to move to another place, is the motor propelling this creation for seven dancers and two musicians. It is the idea of moving down a path, the point of departure being the place where a variety of characters are making their decisions. These figures, supported by their group, give meaning to a landscape full of symbols having to do with nature, its conquest, and reinterpretation. The humility of throwing oneself on the ground and hoping for the grass to grow on one\u2019s skin is a recurrent image accompanying the whole creative process. So is the rendition of water in its stream, and dancing. Dancing, well aware that what is moving is the floor, and we are only reacting to it, through the air. The play moves from a part sustained in its gestures and dance, to a place of dreaminess and magical displays\u201d.<\/p>\n
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DIVA (20\u2019)<\/strong><\/p>\n Barcelona, Spain – Milan, Italy<\/p>\n Created by:<\/strong> Giovanni Insaudo<\/p>\n Performed by:<\/strong> Sandra Salietti Aguilera\u00a0 & Gianmarco Martini Zani<\/p>\n Music:<\/strong> Nick Cave & Warren Ellis \u201cNembutal\u201d, \u201cFire in the Hills\u201d, \u201cShard\u201d, Anne Nikitin \u201cI Wanna Be Loved By You\u201d<\/p>\n \u201dDiva<\/em> is the latest work by Giovanni Insaudo, exploring the timeless figure of the Diva<\/em> and her idealization in popular culture. The piece is primarily inspired by the ultimate diva, Marilyn Monroe, offering a glimpse into the private and often solitary lives of these icons of 1950s fame. The performance seeks to unveil the introverted reality behind the glamour, media attention, and public idealization, highlighting the contrast between what the audience sees and what these divas truly experience. It sheds light on the often negative influence of powerful male figures in their lives. In the 1950s, divas were frequently subject to the control and influence of powerful men who could shape their careers and personal destinies. These men\u2014producers, directors, managers, husbands, or lovers\u2014played a significant role in deciding the divas’ paths. Often, divas were forced to conform to male expectations, limiting their autonomy and stifling their creative potential\u201d.<\/p>\n EL CIELO SIGUE INTACTO (20\u2019) <\/strong><\/p>\n Barcelona, Spain<\/p>\n Created & Performed by:<\/strong> Carla Cervantes Caro & Sandra Egido Ib\u00e1\u00f1ez [COMPA\u00d1\u00cdA LO SIENTO MUCHO]<\/p>\n Original Music:<\/strong> Nico Casal Ares \u201cEl Cielo Sigue Intacto\u201d<\/p>\n Costumes Design:<\/strong> \u00c1mbar & Carla Cervantes CaroM\u00f2nica Figueres Dom\u00e8nech<\/p>\n \u00abHow many things happen while other things are happening? This concept does not invite criticism, but rather the acceptance of the immutable, a truth that surrounds us, yet we rarely pause to observe.<\/p>\n The piece emerges from a foundation where two bodies build and compose a landscape that breathes and offers itself to the viewer. The act of building with the body symbolizes the endless search to construct something beyond ourselves. The interlocking of bodies reflects a constant desire\u2014an almost instinctive need\u2014to draw closer to the other.<\/p>\n And while everything unfolds around us, the sky<\/em><\/strong>\u2014remains untouched.<\/em><\/p>\n A bodily architecture shaped by a process of constant negotiation, where each body adapts to the other and adjusts until finding a shared place. Building from the fragility of bonds and their strength. Seeking the balance between structure and shared vulnerability\u00bb.<\/p>\n EL ELOGIO DE LA FISURA (15\u2019) <\/strong><\/p>\n Barcelona, Spain<\/p>\n Created & Performed by:<\/strong> Lorena Nogal<\/p>\n Music:<\/strong> David Lang \u201cJust (After Song of Songs), Lullabies of Europe \u201cNani, Nani, Mummies Baby (Romanian)\u201d, Mica Levi \u201cDeath\u201d, Benjamin Clementine \u201cQuintessence\u201d<\/p>\n \u201cThis piece is a manifesto about what is built from darkness and doubt. suggestions seen through a rift. A choreography that rests in the transition, a place to find the beauty that emerges from the acceptanc of the imperfection, the asymmetry, the unequal. a weak, vulnerable and unstructured body that is the reflection of a vibrating state\u201d.<\/strong><\/p>\n National Dance Award in the Performance Modality, 2024. Ministry of Culture<\/p>\n DALET (DA) (20\u2019) <\/strong><\/p>\n Madrid, Spain<\/p>\n Created by:<\/strong> Daniel Abreu<\/p>\n Performed by:<\/strong> Abi\u00e1n Hern\u00e1ndez, Alberto Almaz\u00e1n, David Vilarinyo, Daniel Rodr\u00edguez, Theo Vanpopheringe & Daniel Abreu<\/p>\n Music by:<\/strong> Michael Wall \u201cRitual, Referencies and Confessions\u201d<\/p>\n With the support of:<\/strong> Ayuntamiento de Madrid, Comunidad de Madrid, Centro Coreogr\u00e1fico Mar\u00eda Pag\u00e9s, Centro Coreogr\u00e1fico Canal & Provisional Danza<\/p>\n \u201cDalet<\/em> is a letter in the Hebrew alphabet making reference to a door. A door without a threshold for easier access. A way from the void to a form without dimensions. It talks of a journey through the desert, with mandatory steps taken countless times in the path of evolution. This symbol, and its ensuing energy, which permits us to move to another place, is the motor propelling this creation for seven dancers and two musicians. It is the idea of moving down a path, the point of departure being the place where a variety of characters are making their decisions. These figures, supported by their group, give meaning to a landscape full of symbols having to do with nature, its conquest, and reinterpretation. The humility of throwing oneself on the ground and hoping for the grass to grow on one\u2019s skin is a recurrent image accompanying the whole creative process. So is the rendition of water in its stream, and dancing. Dancing, well aware that what is moving is the floor, and we are only reacting to it, through the air. The play moves from a part sustained in its gestures and dance, to a place of dreaminess and magical displays\u201d.<\/p>\n
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\nWhile everything unfolds around us, the sky<\/em><\/strong>\u2014remains untouched.<\/em><\/p>\n
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